So can photography show and convey to us what is currently real? Or isn't photography rather a medium of delay and hindsight? Doesn't it show us images and traces of what has already passed? Doesn't it fixate us on what has been - to the exclusion of the present and the future? This may be the case with regard to their reference to a reality that precedes the photographic image. But by giving us a past present to observe, photography at the same time releases its own - media - present, which we in turn encounter with our present in front of the image. A triangular relationship between present times, each of which can extend far beyond the three seconds mentioned in the title of the exhibition.
Dr. Bertram Kaschek, Art Historian
rooms
Forstpoetischer Garten/ Nido
Photography, the medium of the collector of images. Images of interest are those of visible change. But change happens continuously, so that it is difficult to perceive it in the great infinite cycle of becoming and passing away. Therefore, Maritza Studart collects moments of change from the quickly passing time.
Anton Ziegler, Artist
1971, Rottenmann
princesa
Studart's work is about light and dark, surface and depth, visual presence (namely the clothes) and absence (namely the daughter's body they once covered), melancholy and confidence. Media aspects of photography are interwoven here with existential, biographical and autobiographical elements and show the ability of photography to visually convincingly narrow down questions of art and life.
Dr. Bertram Kaschek, Art Historian
Mar
